Crooked Still: It’s Not the Tune’s Fault7 June 2011
What happens when you fall out of love with a tune, or when you never loved a tune to begin with, but you still have to play it? That’s the impolite questions I posed to the members of the group Crooked Still in the latest segment of Ye Olde Performer Showcase.
The title of this segment— “It’s Not the Tune’s Fault”— comes from an expression bassist Corey DiMario attributes to one of his teachers at New England Conservatory, the noted bassist John Lockwood.
The song featured in this clip is of course the well-known murder ballad “Little Sadie,” and I don’t mean to cast aspersions on the tune by including it in this segment. I had the good fortune to hear Doc & Merle Watson play a concert at Memorial Hall at UNC-Chapel Hill back in the 70’s, and that’s probably the first time I heard “Little Sadie.” I’ve heard a lot of renditions of the song in intervening years, but as with many people, I suspect, Doc’s version remains the archetype. Even after all these years, I’m still not sick of it.
Crooked Still seems to make a point of keeping their back catalog in play, as it were. In concert, they are as likely to play a tune from their first album as they are to play one from their most recent release. “Little Sadie” is featured on their excellent sophomore outing, Shaken By a Low Sound, an album that is now almost five years old. If anyone in the band is growing tired of recounting the tale of Little Sadie’s demise, they aren’t showing it.
I wish I had time to do some research on “Little Sadie,” but perhaps my faithful readers can help me out. To be honest, apart from the chilling randomness of the murder, the confusion as to the narrator’s name (perhaps it’s Lee Brown?) and the simple, all-verses-no-chorus structure, the song doesn’t sound that old. To my ears at least, the rhymes are too neat and the story progresses too logically to be a folk song with ancient roots. Or did the ditty just get a major overhaul in the hands of Mr. Watson or some other mid-century master? If you know, let me know.
Above all, I’d love to hear folks’ thoughts on tunes that wear out their welcome. Do you find that it’s “hate at first listen,” or do songs just get old? Do you fall in and out of love with tunes? Do you agree with DiMario and Lockwood’s assertion that it’s not the tune’s fault? Whatever the case, is it possible to rekindle a love that’s lost? Enquiring pickers want to know!
Yer Pal— Curly