Crooked Still: The Streets of Boston12 July 2011
As yer Cousin Curly hastily packs his knapsack for Grey Fox, the largest of the New England bluegrass festivals, he pauses for a moment… Hang on a sec… [Sounds of third person voice being tossed into the verbal insinkerator.]
The point is, just as Grey Fox is a locus for the more progressive (sorry to employ that vapid term, but I’m in a rush) edge of the New England bluegrass scene, so has Crooked Still stood, for the past decade, as the lynchpin for a still youthful generation of Boston musicians. For the third year in a row, the band will be back at Grey Fox. It’s therefore fitting to take this opportunity to post a final segment (for now at least) of Ye Olde Performer Showcase featuring the band. In this installment, we circle back to the beginning, in a sense, by getting the band to talk about its roots in— and its ongoing connection to— Boston.
The song featured in this clip is “Lonesome Road.” As Matt Schofield notes in his super-helpful Grateful Dead Family Discography, some versions of the song overlap another popular ballad, “In the Pines.”
“Lonesome Road” goes all the way back to Crooked Still’s debut album, Hop High. This means that an eleven year-old kid who happened to stumble upon the band’s first commercial recording might be an entering freshman this fall at Berklee College of Music, New England Conservatory, or any of the other Boston institutions where the practice and performance of American roots music are being taught. Will that fresh-faced arrival on the Boston scene carry on the meshing of old and new that has marked Crooked Still’s work, or will they veer off in some new direction? In other words, where is the Boston music scene headed? I’ll be keeping my ears open as I tromp the fields of Grey Fox, and of course I’ll report if I sight any new genus or species of note. In the meantime, as always, let us know yer thoughts.
Yer Pal— Curly
P.S.— RIP Kenny Baker. For anyone attending Grey Fox, be sure to catch the brief tribute to this fiddler extraordinaire, scheduled to happen around 3:30 on Friday. A stellar line-up will be paying homage to the man who for many still defines the bluegrass fiddle.