Posts Tagged ‘Born To Be With You’

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Finding Harmony with Jenni Lyn Gardner

1 November 2013

Jenni Lyn Gardner is best known these days as the mandolinist in Della Mae. Membership in that fast-rising group is surely a big commitment. Even so, Jenni Lyn likes to sow some musical oats occasionally. Like many other successful bluegrassers, she has established a side project for that purpose, The Palmetto Bluegrass Band. We caught up with Jenni Lyn Gardner & The Palmetto Bluegrass Band as they were running through some tunes at this year’s Joe Val Bluegrass Festival.  As you can see, the band’s sweet harmonies attracted some curious bystanders to their hotel room door. Small wonder. Have a listen—

Along with Gardner, the group is comprised of Kyle Tuttle on banjo, Nick DiSebastian on guitar and Josh Dayton on bass. You may recall that South Carolina is “The Palmetto State,” and the group’s name is a nod to Gardner’s roots in that corner of Dixie.

Gardner grew up steeped in bluegrass. Though still in the bloom of youth, she has already had many opportunities to mingle with legends of the genre. There is a brief video on YouTube of a very young Gardner playing backstage with the one and only Bill Monroe, and a photograph of that encounter hangs in the International Bluegrass Music Museum in Owensboro, Kentucky. It was another brush with greatness that brought the song in this video into Gardner’s repertoire. She tells the story better than I can:

I first heard the song “Born To Be With You” on the JD Crowe “Blackjack” album, but it wasn’t until I was backstage at [the] “Down From The Mountain” concert and heard Alison Krauss and Union Station standing in a circle warming up to it that it really caught my attention. I thought, man that is a cool song!

Cool song indeed. The close three-part harmonies in Gardner & Co.’s treatment made me think that it came to us from the white gospel tradition. In fact, I was following the wrong stream to foreign headwaters. In the 1950’s “Born To Be With You” was a hit for The Chordettes, a female quartet whose output overlapped at points with doo-wop (they are better remembered today for “Lollipop” and “Mister Sandman”).

As Gardner’s account shows, the song has been bouncing around bluegrass circles for a while. The most recent recording I heard of it was from the alt-bluegrass outfit Chatham County Line. In my view, whosoever shall essay this tune had better have good harmony chops. Jenni Lyn and friends certainly meet this requirement.

We’ve got more good stuff to share from Jenni Lyn Gardner & The Palmetto Bluegrass Band, but we’re also doing our dangedest to finish up a whole series of videos featuring Gardner’s “day job,” Della Mae. We shot a truckload of footage with that fine group and are looking forward to sharing a bunch of it with you soon.

Yer Pal— Curly

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