Posts Tagged ‘Rickie Simpkins’


Cousin Curly in the Temple of Twang

12 April 2011

Before I get all distracted, let me show you this edition’s video, which comes from my travels to Nashville last spring…

From a certain point of view, the Ryman Auditorium could be seen as a microcosm of Nashville. Like the Music City as a whole, the Ryman is a really nice place that seems to hide its deep connection to bluegrass. While the back of the building is lined with display cases, you have to go to the third floor to find any significant bluegrass-related material. In some respects this isn’t a surprise, in that the Ryman hosts all manner of performances today, from Aretha Franklin to ZZ Top. But while I’m sure that ticket sales for bluegrass acts aren’t keeping the auditorium’s pews polished to a fare thee well, I reckon that the streams of pilgrims who are paying close to twenty bucks for the backstage tour are primarily drawn by the venue’s storied past. No doubt many grew up listening to the Grand Ole Opry, which called the Ryman home for several decades. If I’m correct about all that, it would follow that a good number of these are folks interested in an era when bluegrass was an integral part of the operation. So what gives?

But as I say, I found Nashville puzzling in the same way. A quick rundown of musicians based in Nashville reads like a directory of present-day bluegrass:

Alison Brown, Roland White, Bryan Sutton, Jerry Douglas, Jim Buchanan, Josh Williams, Valerie Smith, The Steeldrivers, Ron Block, Blake Williams,  Ricky Skaggs, Mark Schatz, Jerry Salley, Keith Tew, Gail Davies, The Infamous String Dusters, Melonie Canon, Casey Driessen, Sam Bush, Gillian Welch,  Daily & Vincent, John Weisberger, Dierks Bentley, Kathy Chiavola, Mike Bub, Larry Sparks, Tim Carter, Paul Brewster, Ronnie Reno, Tim O’Brien, Billy & Terry Smith, Fred Carpenter, Doug Dillard,  Tim May, Wayne Southards, Brad Davis, Barry & Holly Tashian, David Crow, Kevin Williamson, John Cowan, Mike Compton, Tim Hensley, Larry Cordle, Marty Raybon, Sharon Cort, Keith Sewell, The Chigger Hill Boys, Stuart Duncan, David Talbot, Ed Dye, The Grascals, Pat Enright, Scott Vestal, Donna Ulisse, The Farewell Drifters, Marty Stuart, Rickie Simpkins, Pat Flynn, Kim Fox, Pam Gadd, J.T. Gray, Tom T. Hall, Aubrey Haynie, Casey Henry, Tom Saffell, Randy Howard, Jim Hurst, Rob Ickes, Eddie Stubbs, Vic Jordan, Cody Kilby, Randy Kohrs, Alison Krauss, Jim Lauderdale, David Grier, Keith Little, Ned Luberecki, Del McCoury, James & Angela McKinney, Larry McNeely, Luke McNight, Ken Mellons, Patty Mitchell, Alan O’Bryant, Bobby Osborne, Heartstrings, The Overall Brothers, Continental Divide, David Peterson, Missy Raines, Lee & Elaine Roy, Carl Jackson, Darrell Scott, Jimmy Campbell, Ronnie McCoury, Larry Perkins, Larry Stephenson, Jim Van Cleve, Terry Eldridge, Andrea Zonn.

Whew. That’s just a start; I’ll bet there are literally hundreds more worth noting.  Even so, the music itself doesn’t even register as background noise. During my visit, I would regularly spin the radio dial from one end to the other. I never heard so much as a note that sounded like bluegrass. I know there is a vibrant house party scene in the Nashville bluegrass community, but that doesn’t explain why bluegrass isn’t a more visible— or, more the point, audible— part of the landscape.

But don’t get me wrong: I really like Nashville. As long as the Cumberland River behaves itself, it’s an elegant metropolis that also manages to be comfortable and friendly. Can’t wait for my next visit, by which time I hope I will have been granted the secret password and welcomed into Nashville’s occult (in every sense of the word) bluegrass scene.

Yer Pal— Curly


Classic Tony Rice at Merlefest

7 May 2010

Now that he’s back from his southern jaunt, yer pal Curly is wrangling pixels as fast as he can so as to share some of the music and sights he collected in the course of his travels.  As with any musical set, it never hurts to kick off with a crowd-pleaser, so here goes:

It’s always tempting— and usually ill-advised— to read into the expressions and body language of musicians.  In this case, you can’t help feeling that everybody in the band is a little checked out, no one more so than the great Josh Williams.  If you’ve ever had the pleasure of catching Williams leading his own eponymous outfit, then you’ll understand my noting a distinct lack of verve in this performance.  Many explanations for this come to mind:  1) It was really hot; 2) He was rubbing his nose a lot, so perhaps he’s allergic to Merlefest; 3) How many times has he played “Wayfaring Stranger” anyway?  But perhaps the most intriguing possibility is that he was playing the mandolin rather than his principal instrument, the guitar.  Maybe that thousand-mile-stare is really Williams concentrating?  Nah— this is a guy who could play a ball of twine without breaking a sweat. I vote for allergies.

Whatever the case, I can attest that this is one of those instances when— at least purely in musical terms— a piece works better just as audio than as video.  Close your eyes and listen. Nice, no? Still, there are insights to be gained from watching the picture.  I enjoy the way Tony Rice conducts the band with just the barest nod of his head, cuing solos and marking when to start the last chord.  It’s such a minimal gesture, and so seemingly nonchalant, yet at the same time so precise.  Sort of sums up Rice’s style.

Lots more to come, so don’t wander too far…

Yer Pal— Curly

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