Thirsting for some Della Mae? We’re serving up some vintage material from the Dellas that we’ve had in the cellar for… well, too long. Still, we think you’ll find it delightful: bubbly, with notes of lavender and bluegrass.
That is, of course, the band Della Mae performing their original song, “Turtle Dove.” The composition was co-written by singer Celia Woodsmith and guitarist Courtney Hartman. It can be found on their Rounder Records release from last year, This World Can Oft Be.
My scant understanding of the Interweb tells me that it isn’t like fine wine: the stuff we byte-stained wretches post doesn’t improve with age. This poses a conundrum, however, because doing things right takes time— at least in my case it does. I’m with Tina Turner “We never, ever do nothing nice and easy.”
The current post being an apt example. Here we have Della Mae, one of the hottest, most talented bands in bluegrass, playing in a beautiful sunlit room, recorded without amplification or mixing boards— what could be more simple, more right? But there’s the rub: given such perfect elements, I want to make sure I do everything right on my end.
Over a year ago, I spent a day with Della Mae in Cambridge, Massachusetts, shooting both the informal session you see here and a show at the legendary acoustic performance venue Club Passim. By the time I reviewed the footage, I knew I was in trouble. Often my job as a filmmaker is that of salvage expert: I do the best to pull something useable from the wreckage of what I shot. That was not the problem here: I had hours of good stuff to work with, and that made for many months of (pun alert!) fretting.
But, at last, like fine wine…
After struggling with the harvest and following several false recipes, I have bottled some vintage Della Mae that I think is, as the vintners say, ready for release. I’ll be sharing several more of these videos with you in the weeks ahead. For now, I’m just rushing (yes, ironically, rushing after this long wait) to get a first taste out to you.
I’m grateful for everyone’s indulgence as I have worked through this material. Of course, above all, I appreciate the patience of the members of Della Mae. They were so gracious and fun to work with— qualities that I think come through in their performances. A dirty secret of my profession is that, when you edit videos, you almost always come to loathe the material. In the case of Della Mae, working with this footage has only deepened my appreciation of their skill and their artistry. Going over their songs, literally frame by frame, I keep discovering new treasures: a clever rhyme, a delicate ornamental detail, a rich harmonic interval. The care with which they have crafted their songs should inspire generations to come. If these videos help capture that alchemy for the ages, then the wait will have been worthwhile.
Yer Pal— Curly
P.S.— Special thanks to Paul Villanova for his help in shooting the video.